Zach Sandler, a Broadway musical theater actor and composer known for playing piano in Wicked, delivers a deeply personal spoken-word narrative chronicling three psychiatric hospitalizations related to his bipolar disorder diagnosis, spanning from a manic episode at Yale in 2006 through a third severe episode in DC in 2019, and culminating in the triumphant 2025 premiere of his autobiographical musical ‘Inside My Head’ at the Clarice Smith Performing Arts Center.

Watch on YouTube at 03:00:35

Transcript

[03:00:36] and follow them on social media.

[03:00:38] All right, our final show, before we hit the raffle,

[03:00:46] we have Zach Sandler.

[03:00:50] Hey. Oh, hold on.

[03:00:53] Special shout out.

[03:00:55] To who?

[03:00:57] Okay, so I’ll give the special shout out.

[03:01:03] So, you know, Zach, he brings some star power here.

[03:01:08] And we were able to get him here thanks to a donation from Jessica Unger.

[03:01:13] She’s a therapist based in Crofton.

[03:01:15] She does some online work as well.

[03:01:17] And she’s taking new clients.

[03:01:19] And big thanks to her.

[03:01:22] Opening it up for other sponsorship opportunities in the future.

[03:01:26] So I’m going to pass the mic to Zach here.

[03:01:31] Thank you.

[03:01:32] Is this a good mic to use?

[03:01:36] Hi, everybody.

[03:01:37] I’m Zach Sandler.

[03:01:38] Tyler, thanks so much for having me here.

[03:01:40] Thank you all for coming out tonight.

[03:01:42] You guys make the event happen.

[03:01:45] I got a little extra time, thanks to Tyler,

[03:01:47] so please take that clock away from me.

[03:01:52] Thank you.

[03:01:54] Yeah.

[03:01:54] So oh, right, the advertisement first.

[03:01:57] Yes, I am a musical theater actor, composer, lyricist,

[03:02:03] pianist as well.

[03:02:04] I played for Wicked on Broadway.

[03:02:06] You may have heard of the show.

[03:02:08] And yeah, and then some more stuff

[03:02:10] you’ll hear about in a second.

[03:02:11] And also, I am launching a podcast

[03:02:14] called Insanely Talented about neurodivergence

[03:02:18] and creativity among others.

[03:02:21] Thank you.

[03:02:22] I actually have business cards out on the front table

[03:02:24] and at the NAMI booth and my new website.

[03:02:27] My website just went up a few days ago, so check it out.

[03:02:32] All right.

[03:02:34] So let’s start at the beginning of my story.

[03:02:36] This is 2006.

[03:02:39] I am a junior at Yale College, 20 years old.

[03:02:44] I’ve just given up my biggest passion, musical theater,

[03:02:48] to be pitch pipe or music director of my a cappella

[03:02:51] group, the prestigious Yale Spitzwinks.

[03:02:54] Now, that’s right.

[03:02:55] It wasn’t the Whiff and Poofs.

[03:02:56] It was the Spitzwinks, which is the weird underclassmen version

[03:02:59] of the Whiff and Poofs.

[03:03:01] You really needed to know that.

[03:03:04] So I gave up musical theater because it took so much time

[03:03:07] to be pitch pipe.

[03:03:09] But within a month, I missed it so much

[03:03:11] that I auditioned for the big musical anyway.

[03:03:14] But I had to turn it down because of my time commitment.

[03:03:18] One night, I heard the cast of the musical rehearsing

[03:03:21] through a door, and I stayed there for what felt like hours,

[03:03:24] listening.

[03:03:24] Wishing I were on the other side.

[03:03:30] I started to feel heavy, hopeless.

[03:03:33] And despite being surrounded by friends, alone,

[03:03:38] my sadness became deeper and deeper.

[03:03:41] And it’s not like I was having tears in my eyes.

[03:03:44] I was feeling waterfalls behind them.

[03:03:48] A character appears in my head, like a person

[03:03:51] who I can’t actually see or hear audibly, but.

[03:03:54] And I can feel what he’s saying.

[03:03:57] Just give up.

[03:04:01] No one likes you.

[03:04:04] You’re alone.

[03:04:08] I’m sick, so I can hit that low night today.

[03:04:13] This continues day after day after day until seven days

[03:04:18] later.

[03:04:19] I start to feel a pep in my step, the sensation

[03:04:22] of my whole body rising.

[03:04:24] It’s like another character has appeared who’s saying,

[03:04:26] well, that sucked.

[03:04:27] Let’s try something new.

[03:04:30] And this voice tells me to go to an a cappella party

[03:04:33] and go up to every single girl and flirt.

[03:04:36] What could go wrong?

[03:04:37] Hey, Samantha, nice to meet you.

[03:04:39] You are looking cute tonight.

[03:04:41] Your rendition of Tradition was sublime.

[03:04:44] La-fime!

[03:04:44] Would you like to come back to my room and have a sing-along?

[03:04:48] You could play my keyboard.

[03:04:49] It is sensitive and very long.

[03:04:54] No?

[03:04:57] OK.

[03:04:59] And instead of going home with any of the girls,

[03:05:02] I go home with myself, where the voice tells me

[03:05:05] to sit down on my computer and start typing.

[03:05:07] And over the next three nights, I

[03:05:08] stay up all night writing a 39-page manifesto

[03:05:11] called My Religion, in which I solve the universe,

[03:05:15] I solve humanity, I solve everything.

[03:05:18] In the middle of the third night,

[03:05:19] I pick up an apple from my desk, admiring how beautiful

[03:05:22] and profound its shape is.

[03:05:24] And like any good college student who wants to share his excitement

[03:05:26] at four in the morning, I call my parents.

[03:05:31] Now, my parents being mental health professionals,

[03:05:32] they know that something is up.

[03:05:34] And they drive through the night from DC to New Haven,

[03:05:36] where they take me to a school psychiatrist.

[03:05:39] The psychiatrist asks me a few questions and then says,

[03:05:43] Mr. Sandler, we’re sending you to the hospital.

[03:05:47] I’m completely confused.

[03:05:48] This is the most creative and productive I’ve ever felt.

[03:05:51] In fact, I just finished my manifesto in the waiting room.

[03:05:53] But he insists that I must go.

[03:05:57] Either I sign myself in, or they sign me in.

[03:06:01] So I sign myself in.

[03:06:04] At the hospital, I become paranoid

[03:06:06] that the doctors are trying to kill me with their sleeping pills,

[03:06:09] and that if I fall asleep before sunrise, I will die.

[03:06:12] In the middle of the night, I become

[03:06:14] convinced that I am Jesus Christ, another patient is God,

[03:06:18] and another is Mother Mary.

[03:06:20] And there’s God in every one of us.

[03:06:22] And I am Jesus Christ.

[03:06:23] And I am Jesus Christ.

[03:06:23] And I am Jesus Christ.

[03:06:23] And I am the Messiah.

[03:06:25] And I am the Messiah.

[03:06:29] At 6 AM, the doctors come in, and they have to subdue me,

[03:06:32] hold me into a chair, and inject me.

[03:06:40] 24 hours later, I wake up.

[03:06:42] The sound of a doctor’s voice.

[03:06:45] She gives me a diagnosis.

[03:06:46] She says that I’m, I can’t be right.

[03:06:52] That’s not me.

[03:06:53] I’m a stem cell.

[03:06:53] I’m steady, stable, reliable.

[03:06:54] I’m not crazy.

[03:06:55] I go nine years without telling anybody, just a few close friends, family members.

[03:07:06] I’m ashamed of what happened, and afraid that if people know,

[03:07:09] it could cost me social opportunities, and worst of all, my pride.

[03:07:14] And then, I have a shaking fit.

[03:07:18] And I wonder if it might be one of my medications.

[03:07:20] The doctor tells me to stop one of them completely, and reduce

[03:07:23] the other one significantly.

[03:07:26] Within three days, I go to a writer’s salon, where I become convinced that one

[03:07:31] of the other writers is the devil incarnate.

[03:07:33] Another night, I become convinced that somebody is going to blow up the movie

[03:07:37] theater, where I’m planning to go for Valentine’s Day, so we don’t go.

[03:07:40] And yet another one, my doctor calls in some Klonopin, but I force my partner

[03:07:43] to take it first, to show that they’re not trying to kill me.

[03:07:46] She panics, and calls the EMS, who sends seven people to put me in an ambulance.

[03:07:53] This time, I know the drill, so I follow without resistance.

[03:07:59] At the hospital, I am injected, peacefully this time.

[03:08:03] I wake up 12 hours later, to the sound of a doctor’s voice.

[03:08:06] He says, Mr. Sandler, we can confirm that your diagnosis is…

[03:08:15] I’m not ready to hear it.

[03:08:19] But this has now happened twice, so I decide, you know what, this is just a part

[03:08:23] of my experience, I’m going to own it, I’m going to share it, and I’m going to start

[03:08:28] to write about it.

[03:08:29] So in 2015, the very first version of Inside My Head, my musical about my bipolar, I said

[03:08:35] the word, I wasn’t supposed to, began around a table in my Staten Island apartment.

[03:08:42] Over the next 10 years, it goes through many different versions, including one where it’s

[03:08:47] not about me at all, another where I’m at the piano narrating my story, and another

[03:08:51] actor plays me.

[03:08:52] And finally…

[03:08:53] The one-person version that exists today.

[03:08:55] The opening number, fully grown, goes through 36 versions.

[03:09:00] In 2019, I’m doing really well, but I run out of money.

[03:09:07] So I move from New York City back to DC.

[03:09:10] The move is very destabilizing.

[03:09:12] It takes two trips back and forth, and a family vacation in between the two.

[03:09:17] By the time I get settled in DC, I’m exhausted, totally strung out.

[03:09:22] And then two weeks later, at 1 am, I get my parents to do a ritual clothing ceremony

[03:09:30] where I pull out my clothes, bless them, and put them into different piles.

[03:09:35] I become terrified that my partner has been kidnapped by some of my friends because she

[03:09:39] stopped responding to my texts at 12.30 in the morning.

[03:09:43] And one day, I think that my old boss has created a game, and that if I solve all the

[03:09:48] clues to this game, I will get a check for a million dollars.

[03:09:52] Till the clues lead me into the hallway of the apartment building, where I gaze into

[03:09:57] the lights and shout, WIDE OUT!

[03:10:00] Till I’m surrounded by five policemen and joke about how silly it is that they’re handcuffing

[03:10:04] me.

[03:10:05] Till I arrive on a stretcher and go to the emergency room, still flailing, yelling,

[03:10:09] WHAT THE FUCK KIND OF GAME IS THIS?!

[03:10:18] I start to become more lucid.

[03:10:20] …

[03:10:21] But by the time the psychiatrist arrives, three hours later, I am so far gone that all

[03:10:27] I can say is, I want to go home, but he can’t send me home like that.

[03:10:34] So he sends me somewhere else.

[03:10:38] …

[03:10:39] Now, I’m still processing this third episode, so I’m going to skip over it for right now.

[03:10:45] But suffice it to say that this was by far the worst hospitalization of the three.

[03:10:52] …

[03:10:53] Now, fast forward to January 2025, instantly my head has become a solo version, and I’m

[03:11:00] standing on stage at the Clarice Smith Performing Arts Center.

[03:11:01] …

[03:11:02] …

[03:11:03] …

[03:11:04] As the show ends, one person stands up over there, then three over there, then ten over there,

[03:11:14] until finally all 300 people have risen from their seats to applaud my sharing of my story.

[03:11:22] And at that moment, I look back to 20-year-old Zach, 28-year-old Zach, and 33-year-old Zach,

[03:11:31] and I say, hang in there, buddy.

[03:11:34] One day, it’ll all be worth it.

[03:11:40] Thank you.

[03:11:53] Thank you guys so much. Thank you.

[03:11:58] Hey, give it up for him. Good job.

[03:12:04] So, you guys, that is our last artist.

Connections